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‘Last Man Down’: An Interview with Composer Alexander Arntzen
What do the films Initiation and Last Man Down have in common? Besides both being distributed by Saban Films, what…
Film
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Shooting a Film During Quarantine: Director Chris Blake Discusses the Making of ‘Distancing Socially’
Writer/Director Chris Blake When most film and tv productions were shut down at the beginning of the pandemic, writer/director Chris…
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Illuminating History: Filmmaker Alfonso Gomez-Rejon on the Journey to Release ‘The Current War: Director’s Cut’
Starting out, filmmaker Alfonso Gomez-Rejon (Me and Earl and the Dying Girl) was a personal assistant for Martin Scorsese, Nora…
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Listen to Two Exclusive Tracks From the ‘Black and Blue’ Score
Emmy-winning composer Geoff Zanelli Screen Gems’ new cop thriller Black and Blue is hitting theaters October 25, but ahead of…
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Memories and Minutiae: How ‘The Goldfinch’ Cinematographer Roger Deakins Framed a Beautiful Emotional Journey
While being honored with the TIFF Variety Artisan Award at the inaugural Toronto International Film Festival Tribute Gala, British cinematographer…
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Tremolos and Dissonance: Composer Trevor Gureckis on Crafting a Compelling Score for ‘The Goldfinch’
Sitting in a pub during the 44th Toronto International Film Festival, composer Trevor Gureckis (Bloodline) talked about getting the opportunity…
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Uncaging a Narrative: How ‘The Goldfinch’ Director John Crowley Brought an Epic Tale from the Page to the Screen
While attending the world premiere of The Goldfinch at the 44th Toronto International Film Festival, director John Crowley (Brooklyn) took…
